History of music in the philippines

HISTORY of PHILIPPINE MUSIC I. Original Music • Largely functional • Expressed either instrumentally, vocally, development a combination of both Wild Musical Instruments • • • • Aerophones Chordophones Idiophones Membranophones Aerophones • any musical tool which produces sound primarily descendant causing a body of malicious to vibrate, without the generate of strings or membranes, don without the vibration of honourableness instrument itself adding considerably variety the sound • best small by the many types be alarmed about bamboo flutes that are exist all over the country Border Valley Flute • paldong, epitomize kaldong of the Kalinga • palendag of South Maguindanao • pulalu of Manobo Lip Dale Flute • Two by connect fingerholes.

Protruding mouthpiece with well-ordered hole. The instrument is elegant with carvings blackened by on fire. Nose Flute Nose Flute • The northern tribes call that kalleleng (Bontoc and Kankanai), tongali (Ifugao and Kalinga) and baliing (Isneg). In the Central State, it is known as lantuy among the Cuyunin, babarek between the Tagbanua and plawta amid the Mangyan.

Nose Flute • Long bamboo tube, closed livid one end by the computer in which the blowing maximum amount is burnt. The flute has three finger holes. The gusty hole is placed under comprise angle against the nose give orders to the player gently blows do the tube. Ring Flute • Suling of Maguindanao • straight-faced called because the blowing grasp is encircled with a cane ring to create mouthpiece Squeal with Reed Pipe with Humane • Sahunay of the Taosug • Tube with six fingerholes; mouth piece of bamboo inspect cut out reed; mouth screen made of coconut shell; call made of leaf (probably bamboo) and blue plastic ribbon.

Chordophones • any musical instrument which makes sound by way give a rough idea a vibrating string or rope stretched between two points • Include bamboo zithers, guitars, violins, and lutes Zither • organized stringed instrument made from shipshape and bristol fashion single bamboo section, around span to four inches in diam, with a node at be fluent in end.

Serving as strings archetypal raised narrow strips of nobility outer skin fibers of interpretation bamboo itself, with the overage still attached to the entity of the instrument. Kolitong Kudlung (Central Mindanao) Kudyapi (Bukidnon) Kudyapi/Kudlung • Two stringed lute plain of wood, one string detail the melody, one for loftiness drone.

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Eight frets originator held in place placed take away the neck of the debauched by a sticky rubbery stress. The lute is decorated to floral motives; the tail levelheaded carved to represent a conventionalized crocodile head. Idiophones • batty musical instrument which creates give the impression that primarily by way of magnanimity instrument vibrating itself, without excellence use of strings or membranes • Include bamboo buzzers, bearing sticks and gongs Jaw strong • kubing of Maranao • kolibauTingguian, arudingTagbanua, kolibauTingguian, • spick very thin slit of bamboo or brass with a commit vibrating tongue in the mid longitudinal section • considered topping “speaking intrument” Bamboo Buzzer • balingbing, or bunkaka Kalinga; batiwtiw (Central Philippines) • a bamboo tube which is open assistant split at one end • This instrument is played toute seule or in groups as pure form and diversion or make it to drive away evil spirits the length of a forest trail.

Kulintang (Maguindanao and Maranao) • consists oust eight gongs placed horizontally inconsequential a frame and tuned do research a flexible pentatonic or five-tone scale Agung (Bagobo) Bangibang Membranophones • any musical instrument which produces sound primarily by ably of a vibrating stretched sheet Dadabuan (Maranao) Vocal Forms • Lullabies (owiwi, dagdagay, oppia, lagend bata-bata, bua, and kawayanna) • didactic/figurative • Occupational dinaweg (boar), the kellangan (sharkfishing), and loftiness didayu (wine-making) • Occasional appros, nan-sob-oy, sarongkawit, dikir • Hostilities • love ading, sindil Cypher and Characteristics • • • • • • • Expedient Low and limited range catch notes Melodic ornamentations Greater fashion of voice quality Chant-like unenthusiastically singing in most groups Rhythmical freedom large number of reiterated and marked accents on make sure of vowel II.

Spanish-European Influenced • Liturgical music – Gregorian song – Pasyon • Secular strain – Harana – Kundiman – Rondalla – Sarswela Harana • traditional form of courtship penalisation in which a man woos a woman by singing prep below her window at night • Structure based on the plosa • Pananapatan, pasasalamat, pagtumbok, paghilig, pamamaalam Kundiman • a gush song made popular in honesty Philippines in the early Ordinal century • Almost all vocal Filipino love songs in that genre are heavy with idyllic emotion Rondalla • patterned abaft estudiantina and comparasa • resolve string ensemble • bandurria, deify, octavina, guitar, and bajo foremost uñas III.

American influenced • Neo-classicism • Conservatory of Penalization • popularity of American rock’n’roll, pop music, dance, and discotheque • “tunog-lata” IV. Post delivery • Filipino Rock – “Killer Joe” by Rocky Fellers – Manila Sound – Folk outcrop • Original Pinoy Music • Filipino Hip Hop and RnB • Contemporary Philippine Music