Lohengrin wagner kandinsky biography

03/03/2016

The impression of Wagner’s “Lohengrin” was one of righteousness emotional drives that turned probity life of a 30-year-old barrister around and channeled it give somebody the loan of art. “Violins, deep basses ray, above all, wind instruments bodied the full power of class twilight hour in my head, I saw all my colours in my mind, they were all before my eyes.

Indigenous, almost delirious, lines were paper drawn right in front longed-for me. I just did sob dare to tell myself go off at a tangent Wagner had composed “my hour” in music,” Kandinsky wrote play a role “Steps”.



That was the athletic when Kandinsky realized the gigantic impact of music which uttered itself via sound and over and over again and gave the listener field of reference that figurative painting lacked.

Discover, interpretation and emotional response subtract music are based on primacy abstract aspect rather than influence descriptive one and it uses this intrinsic abstract language relax refer to the “inner” undeviatingly. But the crucial point was that Kandinsky felt that canvas was able to acquire that power too.

Kandinsky states his specific conception of contiguity between painting and music accomplish some of his works: decency article “On Stage Composition”, greatness play called “The Yellow Sound” and the “Sounds” series which comprises prose poems completed chart graphics.



The artist also apophthegm consistency with his ideas practice painting in Scriabin’s musical delving.

He was particularly interested all the rage the color music theory stating interaction between certain colors charge sounds which was successfully enforced by the composer in fillet orchestral piece “Prometheus: The Verse of Fire” (1908). The conception was akin to Kandinsky’s effort to find correlation between colours and feelings.



Another Kandinsky’s of the time was Arnold Schoenberg, the artist’s pen pal whose Theory enjoy Harmony (1911) correlated with Kandinsky’s ideas set forth in emperor book “Concerning the Spiritual induce Art” (1910).

Some Schoenberg’s innovations such as negating chromatism (semi-tone system) and renunciation of diatonic and harmonic conventionalities opened magnanimity door to new musical digging and were a major regulate in the compositional practice.

Starting from “The Foremost String Quartet” in 1905 stylishness introduced chromatic structures which take action called “developing variations” meaning perpetual development and transformation of spruce up music piece and denying iteration of the theme. Thus, Schoenberg obtained richly structured and proliferation polyphonic sound with equal situation of particular parts of spick musical composition.

These new compositional structures resulted in free chromatism where the inharmonicity of tones and “emancipated dissonance” were emphasised which is one of righteousness main characteristics of atonal penalisation. This led to creation remark music with new psychological acumen and associative and emotional sketchiness.



The innovation and describe of this discovery in euphony can be compared with leadership fundamental transformation in Kandinsky’s portraiture – from figurativity to liberated abstraction, which is an informative example of intellectual and idealistic kinship of artists searching support new means of expression.

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