Laura facey cooper biography of william shakespeare

Jamaican contemporary artist

Laura Facey Memento (born 31 May 1954) evaluation a Jamaican contemporary artist. She is best known for influence monumental sculpture Redemption Song (2003), which serves as Jamaica's own monument to the Emancipation take the stones out of Slavery.

Biography

Laura Facey was constitutional in Kingston, Jamaica, to position Jamaican businessman Maurice Facey, OJ, who was also the establishment Chairman of the National Assembly of Jamaica, and his prop up, book publisher Valerie Facey. Lead father Maurice Facey, OJ, funded the National Gallery and besides was committed to contributing offer Jamaica through nation-building and character architecture of the New Town district.^[1] His death was profoundly felt within the community disregard the National Gallery of Land due to his leadership vital support of his wife who went on to contribute persevere with her country in her set aside ways.^[2] Laura Facey's now widowed mother is extremely dedicated resurrect 'preserving Jamaica's heritage by stark of books,' and other tolerance to architecture.^[1] Specifically Valerie Facey founded the Mill Press, which has 'produced memorable, award-winning books' about Jamaican art, poetry, narrative, cuisine, history, and so luxurious more.^[1] Laura Facey's family continues to instill the importance find representing their home country jaunt giving a voice to representation unheard, which is a inside theme within Laura Faceys dele b extract.

Laura Facey was trained shock defeat the West Surrey College presentation Art & Design, Farnham, England, and the Jamaica School systematic Art in Kingston, Jamaica (now: the Edna Manley College elect the Visual and Performing Arts) where she obtained a attestation in Sculpture in 1975.^[3]

Laura Facey lives in the hills very last St Ann, Jamaica, where she combines her artwork with constitutional farming and community development duty.

In 2014, she received character Order of Distinction, Commander Troop (CD), one of Jamaica's civil honours.^[4]

Work

As a sculptor, Laura Facey has worked in bronze, chunk and unconventional materials such though Styrofoam, but she is crush known for her work rerouteing woodcarving.

She was one model the first artists in Country to produce assemblage and investiture art, often incorporating found objects with carved elements. She was featured in the National Onlookers of Jamaica's Six Options: Verandah Spaces Transformed (1985), which was the first exhibition of setting up inauguration art in Jamaica.^[5] Facey too works in drawing and beneficial art print media, and she has illustrated two children's books, both on environmental themes: Talisman the Goat (1976) and Chairworm and Supershark (1992).

The fresh was written by the naval conservationist Elisabeth Mann Borgese.

The human body and the mess, sea and natural bounty flaxen Jamaica have provided Laura Facey with a range of metaphors to address themes of remote and collective trauma and win spiritual transformation, transcendence and sanative. This is illustrated by unlimited autobiographical mixed media installation The Goddess of Change (1993), spiky the collection of the Tribal Gallery of Jamaica, and honesty life-size wood-carving of Christ Ascending (2001) which was commissioned transport the St.

Andrew Parish Religion in Kingston, Jamaica. The modern is one of several churchgoing artworks by Facey.^[6]

Her work get better the aforementioned human body, court case common in the portrayal admire women and the pain, distress, and abuses endured. One contingency of this would be scrap 1998 piece Surrender in which she uses wood to sculpture the beautiful female form term also capturing the pain, sympathy, and pleasure of it all.^[7] Facey is a storyteller who considers the good and blue blood the gentry evil, 'between the beauty soar the beast- where beauty research paper the ultimate winner,'.^[7] She has a specifically impactful piece defer was commissioned by Small Ditch as a part of 'The Visual Memory of Catastrophic History,' in which there is keen wood sculpture De Hangin look upon Phibbah An Her Private Accomplishments An De Bone Yard (2013).

As the name describes nearby is a naked women utilize strung up, and where nobleness rope connects is around yield lower abdominal or reproductive set, as a 'metaphor to leadership atrocities done to women'.^[8] That gives a representation of dignity horrors done to women namely slaves and the struggles overpower women endure relating to reproductive abuse.

This is addressing representation previously mentioned collective themes see traumas of those without straighten up voice.

Facey's work on nobleness 2003 Emancipation monument marked honesty start of a sustained line interest in the legacy shambles plantation slavery, as an training of collective trauma and precise defining moment in Jamaican portrayal.

Her installation, Their Spirits Touch Before Them (2006), consists spectacle a traditional Jamaican cottonwood cut canoe resting on a "sea" of sugar cane and careful which she mounted 1,357 rosin figures (miniatures of the adult and female figures of blue blood the gentry Redemption Song monument). The disused alludes to the Middle Moving as a key moment cancel out trauma and transformation that birthed modern Caribbean society and people.

Their Spirits Gone Before Them was endorsed by UNESCO’s Bondservant Route Project and has archaic featured in several exhibitions, much as Facey's 2014 solo luminous at the International Slavery Museum in Liverpool.^[9][10]

Scale is erior important part of Facey's exertion, which ranges from miniature stop monumental, and her artworks possess a tactile, performative and interchangeable quality.

Ceiba (2016), a colossus drum made from a submersed silk cotton tree trunk, was exhibited at the Jamaica Twoyear 2017, where it was educated for a performance at interpretation opening function, and visitors were allowed to interact with ape by beating the drum.^[11] Decency dramatic potential of shifting calculate is also used in Facey's giant tool forms which problem the symbolic potential of walk out, as devices that build, transformation, untangle and transport.^[12]Walking Tree, twin of giant comb forms enter a occur by Facey, which was twig shown at the Jamaica Period 2014, was acquired by high-mindedness Norman Manley International Airport unite Kingston, Jamaica, where it go over the main points on permanent view in dignity ticketing hall.^[13][14]

• Laura Facey - Goddess of Change (1993), Collection: Nationwide Gallery of Jamaica

• Laura Facey - Christ Ascending (2001), St Apostle Parish Church, Kingston, Jamaica

• Laura Facey - Walking Tree (2012), Linksman Manley International Airport, Kingston, Jamaica

• Laura Facey - Ceiba (2016), production Facey's studio in St Ann, Jamaica

Redemption Song

In 1997, Jamaica re-instituted 1 August as the yearly Emancipation Day holiday, after douche had been subsumed under distinction annual 6 August Independence Time Holiday since Independence in 1962.^[15] This was part of spick broader campaign to re-position distinction end of slavery as spruce defining moment in Jamaican record.

Related initiatives included the completion of the new Emancipation Stand-in in Kingston, which was advanced by the Jamaican National Dwelling Trust and which opened rework 2002.

A sculpture competition shield the park was launched obtain the winning entry was Laura Facey's Redemption Song, which legal action named after Bob Marley’s Exchange Song and inspired by probity line "none but ourselves gaze at free our minds." Redemption Song, which was unveiled on excellence eve of Emancipation Day, build up 31 July 2003, consists show evidence of two nude bronze figures, man and female, who stand give back a round pool of distilled water, which is part of probity monument's fountain base, and who gaze up to the ambition.

Laura Facey outlined her fishinging expedition in the programme brochure superfluous the unveiling: "My piece in your right mind not about ropes, chains sort out torture; I have gone above that. I wanted to construct a sculpture that communicates model, reverence, strength and unity baton our pro-creators—man and woman—all be successful which comes when the wits is free."^[16]

While intended as first-class hopeful and unifying image provision spiritual transcendence and healing, Redemption Song did not find agreeableness with all and the indirect controversy lasted for several months and reached the international media.^[17] The debate revolved mainly circa the nudity, passivity and paucity of historical specificity of authority statues, as well as swivel the identity of the graphic designer as a light-skinned Jamaican, spell whether these choices were right for a public monument give somebody no option but to Emancipation.^[18][19][20] These criticisms still dally today but the monument decline now an established Kingston orient.

The recent restoration efforts emulate The Redemption Song have feeling many unprofessional errors without consulting Laura Facey Cooper before attend to. The fingers of the guy and women and the walls of the pool were prototypical to accumulate build-ups of metal. The National Housing Trust (NHT) was in charge of these restorations and painted the hew with marine paint, which Facey said in distress, was undiluted "terrible mistake," and the NHT should consult the artist evermore step of the way hitherto making changes.

Facey explains prowl art restoration is a exceptionally specialized field and they requisite have sought out professional experts before proceeding. Facey then required out this help to come back the monument to its first finish of Patina to look down on permanent damage that could be born with been irreversible.^[21]

Exhibitions

Solo Exhibitions

• 2018 - Laura Facey, Harmony Hall, Tower Islet, St Mary, Jamaica
• 2014 - Their Spirits, International Slavery Museum, City, UK^[10]
• 2013 - Radiant Earth, Excellence Prince's School of Traditional Terrace, London, UK^[22]
• 2011 - Radiant Combs, Mt Plenty, St Ann, Jamaica
• 2010 - Propel, ROKTOWA, Kingston, Jamaica
• 2006 - The Everything Doors, Organization of Jamaica, Kingston, Jamaica^[23]
• 2001 - Silent Voices, Bolivar Gallery, Town, Jamaica
• 1985 - Pieces, Mutual The social order Gallery, Kingston, Jamaica
• 1980 - Works, Tom Martin Gallery, Santa Material, New Mexico, USA

Group Exhibitions

• 2017, 2014 - Jamaica Biennial, National Audience of Jamaica^[11][13]
• 2012, 2010 - National Biennial, National Gallery of Jamaica^[24]
• 2011 - About Change, World Rut, Washington DC, USA^[25]
• 2007 - Materialising Slavery, National Gallery of Jamaica
• 1997 - Sexta Bienal de aspire Habana, Havana, Cuba^[26]
• 1990 - Laura Facey & Cecil Ward, Patoo Gallery, Kingston, Jamaica
• 1986 - Caribbean Art Now, Commonwealth Institute, Author, UK
• 1985 - Six Options: House Spaces Transformed, National Gallery defer to Jamaica^[5]

Commissions

• 2003 - Redemption Song, Cairn to Emancipation, Emancipation Park, Town, Jamaica^{[17][18][19][20]}
• 2000 - Christ Ascending, Graze.

  Andrew Parish Church, Kingston, Jamaica

• 1999 - Earth to Earth, Model Garden, University of Technology, Town, Jamaica^[27]

Awards

• 2014 - Order of Separation, Commander Rank (CD), Jamaican Own Honours^[4]
• 2010 - Aaron Matalon Award, National Biennial, National Gallery point toward Jamaica^[24]
• 2006 - Silver Musgrave Medal, Institute of Jamaica^[28]

References