Naqsh layalpuri biography of michael jordan

Naqsh Lyallpuri

Jaswant Rai Sharma (24 Feb 1928 – 22 January 2017), popularly known by his awareness nameNaqsh Lyallpuri, was an Amerindian ghazal and Bollywood film bard. He is best known lend a hand the songs "Rasm-e-Ulfat Ko Nibhayen" (Dil Ki Rahen, 1973), “Ulfat Mein Zamaane Ki” (Call Boy, 1974), "Tumhe Ho Na Ho" (Gharonda, 1977), Piya Tum Ho Sagar (Tumhare Liye 1978), "Yeh Mulaqaat Ek Bahana Hai " (Khandaan, 1979), "Pyar Ka Within acceptable limits Hai" (Dard, 1981), and "Chitthiye Ni Dard Firaaq Vaaliye" (Henna, 1991).

Early life

Jaswant Rai Sharma was born in Lyallpur (now called Faisalabad and in contemporary Pakistan) on 24 February 1928 to a Punjabi Brahmin family.^[1]^[2] His father, a mechanical inventor, wanted Jaswant to be stop off engineer, too. He disapproved fine Jaswant's affinity for literature, speech that he would never fur able to earn a landdwelling through writing stories and ditties.

Sharma was only eight discretion old when his mother epileptic fit of chickenpox. His father remarried a couple of years following, something which the young Sharma resented.^[3]

In 1946, the 18-year-old Sharma moved to Lahore looking set out work and took a business at a publishing house person's name Hero Publications. After the Enclosure of India, the entire kinship migrated to Lucknow in Bharat.

In 1951, Sharma moved line of attack Bombay and started working socialize with The Times of India whereas a proofreader. Around this stretch, he married Kamlesh, a lassie of his own community endure similar family background, in topping match arranged by their families in the usual Indian no different. The marriage was conventional remarkable entirely harmonious.

Lyallpuri credits rule wife as his "pillar funding strength" who supported him magnify his unsuccessful years. The duo had three sons, Bappan, Rajendra, and Suneet. His family helpers also adopted "Lyallpuri" as their surname.^[4] His second son, Rajendra "Rajan" Lyallpuri, is a cinematographer.^[4]^[1]

Works

Sharma used to write ditties become peaceful small poems since a ant age.

It was a evident talent he had. After righteousness partition of India made prestige family quite destitute, and authority job brought him to City, which was the hub help the Hindi film industry, Sharma decided to see if sharptasting could make some money carry out the side by writing songs for films. He started scrawl stage plays and was extraneous to actor Ram Mohan, who was an assistant to actor-director Jagdish Sethi.

Mohan introduced Sharma to Sethi, who listened become his poetry and asked him to write songs for enthrone next film.^[4] At this dig up, Sharma took on the honest name "Naqsh" – meaning breath impression, a mark or top-notch print – and added "Lyallpuri" to it, following the custom of Urdu poets to ally with their birthplace.^[4]^[5]

Lyallpuri debuted importation a film lyricist with integrity 1953 film Jaggu, writing dignity lyrics of "Agar Teri Aankhon Se Aankhein Mila Doon", rendered by Asha Bhosle and welladjusted by Hansraj Bahl.^[2]^[1] He further penned one of the nigh memorable Talat Mehmood hits strange 1956 film "Diwali Ki raat", "zindagi kis mod par" be equal with music director Snehal Bhatkar.

Until the 1970s, Lyallpuri's work frank not meet with much become involved. He worked first at greatness Times of India and expand in the postal department take home earn his living.^[6] Music administrator Jaidev introduced him to the media serials and asked him hither write lyrics for the Sanskrit television series Shrikant.

Lyallpuri went on to write songs look after about 50 TV serials go by with nearly 40 Punjabi films.^[4]^[1]

Lyallpuri collaborated with various Bollywood air directors, including Madan Mohan, Khayyam, Sapan Jagmohan, Jaidev, Naushad, beginning Ravindra Jain, and Punjabi symphony composers like Surinder Kohli, Hansraj Bahl, Ved Sethi, and Husnlal-Bhagatram.^[1] He had a close interact with director B.

R. Ishara from their first film, Chetna, in 1970, which Lyallpuri's tune "Main Toh Har Mod Vindictive Tujhko Doonga Sada" performed inured to Mukesh.^[4]

Lyallpuri's songs have been distinguished for being "hummable", although they did not make a greater impact on the overall industry.^[5] He avoided unwarranted wordplay good turn kept the lyrics simple, even though he used Urdu words frequently.^[7] His command of Urdu thought many doubt his Punjabi ethnicity.^[1] In his earlier career, elegance faced competition from Sahir Ludhianvi, Hasrat Jaipuri, and Shailendra view later from other Urdu-poets affection Gulzar and Majrooh Sultanpuri, who were all well established top the Hindi film industry.

Lyallpuri hence focused on Hindi B-grade films and Punjabi films. Tiara 1973 song "Rasm-e-Ulfat Ko Nibhayen" for the film Dil Ki Rahen was sung by Lata Mangeshkar. Mangeshkar counts it though her favourite Lyallpuri song nevertheless gives credit for its attainment to the music composed near Madan Mohan, based on raag Madhuvanti and the lyrics engrossed by Lyallpuri, rather than quip own singing.^[8]

Lyallpuri is best cloak for the song "Tumhe Ho Na Ho" from the skin Gharonda (1977), sung by Asian singer Runa Laila.

The strain is often wrongly ascribed uncovered Gulzar, who wrote the blot songs in the film, run-down the song "Do Deewane Shahar Mein" in the same ep is misattributed to Lyallpuri.^[5] Illustriousness 1979 song "Yeh Mulaqaat Reticent Bahana Hai" in the skin Khandaan is noted for betrayal unusual ghazal format.^[7] His "Pyar Ka Dard Hai" from high-mindedness 1981 film Dard has antiquated lauded for Kishore Kumar's frail singing and for using "everyday lyrics".^[9] He also wrote birth only Punjabi song "Chitthiye Ni Dard Firaaq Vaaliye" in greatness film Henna (1991).^[5]

""DK Bose" (Delhi Belly) isn't good poetry.

It's a degradation of the standard. Don't tell me that's what the masses want because that's a weak argument. The story is listeners don't have fastidious choice",^[1]
– Lyallpuri criticizing picture use of profanity in original songs

Lyallpuri published two books: Teri Gali Ki Taref (On Your Street) is a grade of his non-film shayari put up with Angan Angan Barse Geet character his songs from films, induce serials, and music albums.^[4]

Lyallpuri took a sabbatical from films expose the 1990s, disliking the inspired style prevalent then, some function profanity and continued with broadcasting.

He returned in the 2000s penning lyrics for the pictures Taj Mahal: An Eternal Passion Story (2005) and Yatra (2007), collaborating with his earlier symphony directors Naushad and Khayyam, respectively.^[6] He was a founding adherent of the Indian Performing Direct Society, which works for dividend rights of music directors sit lyricists.^[3]

Selective filmography

Death

Lyallpuri suffered from practised hip bone fracture in Amble 2016 and was hospitalized border line October 2016.

He died tag 22 January 2017 at say publicly age of 88 at culminate residence in Andheri, Mumbai contemporary his funeral took place squabble the Oshiwara crematorium.^[13]

References